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Jaane kahan gaye voh din!

Dost Mittar March 22, 2007

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listing 80-96   1 2 3 4 5 6 7 8 9

#81 Posted by dost_mittar on March 27, 2007 2:43:15 pm
samar#80:

Some of the new songs are good but they do not have the durability of the old songs. Why, I even found myelf humming Reshmayya`s ``jhalak dikhla ja`` after I heard it wherever I went to in India during my last trip.
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#82 Posted by swarrier on March 27, 2007 3:30:35 pm
Re: # 80
Compositions by M M Kreem in Paheli, Shantanu Moitra in Parineeta , A R Rahman (Swades, Thakshak etc) when he is not being A R Rahman, are very good. Jatin-Lalit etc have given us pretty decent tunes.
Udit Narayan and Sonu Nigam, Kay Kay, Shreya Ghosal, Sunidhi Chauhan are good singers.

I don`t particularly care for the selections you have chosen.
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#83 Posted by jang on March 27, 2007 7:38:17 pm
this like sucks...i completely agree with warrier re k. amonkar, various new singers and composers (incl the great vanraj bhatiaa ...he also had a couple of asha bhosle number like chahe mar dalo raj, chahe kat dalo raja in sardari). i thankfully disagree with dm that todays songs wont last because they lack some inherent quality. i think even songs like ``aeri ri re aeri ri, kya hain yeh paheli`` from yadein (?) are great songs but get quickly forgotten because in todays world there is information deluge (warrier mentined takshak and those were very good songs too).

in ``good ol days`` we got to listen to some relatively simple songs like zillion times (e.g. lari lappa lari lappa etc) on vividh bharti and radio ceylon because there was no other entertainement medium available. repetition causes a song to become hit, this is a well-known thing in western pop-world where music publishers would blitz radio stations by paying-bribing DJs to repeat songs so that they become hits.

and mukesh is perfect for singing after a few drinks..
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#84 Posted by ZahraJ on March 27, 2007 8:55:42 pm
Re: # 79

Swarrier - I am not sure if anyone would care for Eric Clapton or Simon G or Frank S when Shakira`s ``hips don`t lie`` is playing. There has to be some spark or beat in the music.

The CD I had mentioned earlier has beautiful lyrics, but I do not care much for the music. It`s very slow. You have to be in a certain mood to listen to it. It can evoke nostalgia. Just wanted to give you heads up to avoid any disappointment.
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#85 Posted by zeemax on March 28, 2007 1:31:37 am
#79 by swarrier ,

A very good example of how a totally off-key (bey-sur) note can build the entire theme is the accoustic prelude of Emerson Lake & Palmer`s `From the Beginning` from their album `Trilogy`. This was the first time I realized Sur is not everything. In fact, Sur is quite predictable while the strategic placement of a single shockingly off-key note sets the mood for the whole composition.

I concluded from it that Sur can be learnt, but bey-sur is the work of creative genius :)
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#86 Posted by zeemax on March 28, 2007 1:36:15 am
#79 by swarrier ,

A very good example of how a totally off-key (bey-sur) note can build the entire theme is the accoustic prelude of Emerson Lake & Palmer`s `From the Beginning` from their album `Trilogy`. This was the first time I realized Sur is not everything. In fact, Sur is quite predictable while the strategic placement of a single shockingly off-key note sets the mood for the whole composition.

I concluded from it that Sur can be learnt, but bey-sur is the work of creative genius :)
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#87 Posted by samar1982 on March 28, 2007 6:01:59 am
Re: # 81, dost-mittar saheb,

Durability has to do with time and let 30, 40 or 50 years pass and then, if god permits, judge. I can give you some clues. Take the songs of Ek duje ke liye, Sajan, Aashiqui, Lekin. Twenty years have passed and the music still lingers. So, if you keep listening you will find almost equal percentage of great music all the time. Yes, I must say that poetry started to disappear after 60s but that was bound to happen. Film songs have their own limitations. When you have to write thousands of songs you can`t fit the same emotions in a limited variety of meters year after year. So, gradually lyrics gave way to free verses, even meaningless, rather abstract lines. This is called the problem of form which has to keep on changing. You must change yourself to appreciate it. This has happened in all branches of art. My point is, don`t lament the era gone by like the death of a sweetheart.

#82 by swarrier and #83 by jung,

I accept that my list was too random. Moreover, that depends on your taste and the songs you relate to. For Kabir and other saint poets you can try Kumar Gandharv, Bhimsen Joshi and even Ashwini Bhide.

Samar
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#88 Posted by swarrier on March 28, 2007 7:28:25 am
Re: # 84
Zahra
I must look at this Shakira person some time. Doubtless my 13 year old will tell me with great delight who she is. As for hips , my wife does all the leg-pulling necessary to keep me in line. -) I`ll risk the Abida Parveen CD. I think it will be worth it.

Zeemax
I haven`t heard ELP in a long time but I have that Album back in India. You bring back memories of ``C`est la vie`` and college.
If you remember my favourite Beatle single `` A day in the life`` has the London symphony orchestra playing completely out of tune at the end to emphasise the point.

Samar
You make good points.

Jang
I`ll buy the ticket I think. The interesting thing is that even in the 50`s , 60`s and till today there have been beautiful songs composed that people forget. Do you remember the songs of Daman. There is a very seductive song sung by Hema Sardesai in that film. I thought the film was quite terrible.
For longevity and simplicity I was thinking of this Salil Chowdhury tune , that I heard first in my mother tongue Malayalam and then in Hindi and finally the original Bengali sung by Hemantda. It has such a beautiful lilt. I always see the tribal dance in Satyajit Ray`s Agantuk when I hear this tune.
dhitang
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#89 Posted by dost_mittar on March 28, 2007 7:54:30 am
samar:

``Durability has to do with time and let 30, 40 or 50 years pass and then, if god permits, judge.``

Maybe. ``Yeh zindagi kay melay duniya mein kam na hongay, afsos hum na hongay``

...and I completely agree with you re. listening to Bhimsen, Bhide, Ganharav and others for saint poets. These days, I am enjoying Bhimsen`s Abhangs.


jang:

I also like that ``aeri ri re aeri ri, kya hain yeh paheli``.
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#90 Posted by jang on March 28, 2007 8:16:39 am
i must concede however that overall lyric-making in hindi movies in older was supeior. that is one reason apparently yash chopra asked javed akhtar to start writing songs (starting with silsila i think). this must be the time when even prolific workhorse anand bakshi stopped writing ;-)

samar yar i dont think i have heard first 3 songs..? i heard rehman sing some bulbule song (from gangster?) really off-key live in an award fuction..it was awful singing :(

i dont like kumar sahnu because he sings with ``chora hua`` voice as opposed to honest full-trhoated..i guess its an attempt to make it sexy for lady-public.

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#91 Posted by drlokraj on March 28, 2007 11:40:44 am
Nice article dost mittar ji!!

But,its not entirely hopeless situation in recent times. A R Rehman is probably the best music director at the moment and comparable with likes of Naushad and other greats. He has created some wonderful songs from Gulzar`s lyrics ( which, many find hard to understand).

In eightees, ghazal got re-introduced into films and there were some memorable ghazals sung by Jagjit Singh in films like Arth and Saath-Saath, by Asha Bhosle in Umrao Jaan and by Suresh Wadekar in Ghaman.Rudali was a musical hit by good compositions from Bhupen Hazarika. There was some good music in Gulzar`s Maachis and more recently, someone sung ``Allah kay banday......`` in a very touching way.

Again in eightees, there was a bhajan in Aghaat which I still remember, ``itni shakti hameiN dena daata, mann ka vishwaas kamzor ho naa...``

Among lyricists, we still have inimitable Gulzar and Javed Akhtar.
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#92 Posted by jang on March 28, 2007 2:56:28 pm
#91 sometimes i think gulzar writes prose and chanllanges music-directors to compose ;-)
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#93 Posted by drlokraj on March 28, 2007 3:33:39 pm
#92
yes, at times he can be too abstract and people keep wondering till now what the hell it means, like this song beautifully sung by lata in khamoshi, `` hum nay dekhi hai un aankhon ki mehkati khushboo, haath say chhoo kay isay rishtoN ka ilzaam na do``
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#94 Posted by jang on March 28, 2007 3:47:26 pm
#93 drsab, actually that song is not bad, its lyrical..i mean something like for example the songs from izazat..like

katra katra milti hain, katra katra jeene do
or
mere kuch saman, tumhare paas pada hain

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#95 Posted by Ranjit on March 28, 2007 4:52:35 pm
Re:samar

[..My point is, don`t lament the era gone by like the death of a sweetheart....]

Yaar, do yourself a favor. Listen to Himesh Reshmaiyya and ``shakalaka baby``. Maybe thats what gives you the jollies. People with taste will always listen to Naushad, S.D. Burman, Salil Choudhury and so forth...
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#96 Posted by ZahraJ on March 29, 2007 10:40:09 am
Re: # 95

{People with taste}

Do yourself a favor and get the hell out of your own bubble of ``taste``. It can vary from person to person. No need to jump too much on writing about taste. Seems like you just learned the concept. I will not divulge in other implications :)
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