Taimur Khan January 28, 2004
#2 Posted by gulabo on January 29, 2004 12:24:39 pm
mian taimur. bahut khoob. lekin ye raag desi kya hai. aapka matlab raag desh to nahin?aur ghazab khoda ka sub kuch likha aur bhairvin ko bhul gaye.kher achi koshish hai.mashq jaari rakhiye.
Yak turfa tamasha hai Hasrat ki tabee`at bhi
hai mashq-e-sukhan jari,chakki ki mashaqqat bhi
Yak turfa tamasha hai Hasrat ki tabee`at bhi
hai mashq-e-sukhan jari,chakki ki mashaqqat bhi
#3 Posted by jang on January 29, 2004 12:24:40 pm
Cool...
Can you put some audio clips along with this? Chowk?
Is Desi same as Des? ``A song that sings its own soil,``
One (standard) rendition of a song that sings its own soil, ``Vande Mataram`` is in Raag Des (no not the rehman one).
Regards
Can you put some audio clips along with this? Chowk?
Is Desi same as Des? ``A song that sings its own soil,``
One (standard) rendition of a song that sings its own soil, ``Vande Mataram`` is in Raag Des (no not the rehman one).
Regards
#4 Posted by Inquirer on January 29, 2004 12:25:01 pm
Are these translations of the lyrics of the selected raagas? If so, the romanized originals would be valuable.
If not, then the presentation should be made more reader friendly. What are we trying to communicate?
If not, then the presentation should be made more reader friendly. What are we trying to communicate?
#5 Posted by ballukhan on January 29, 2004 12:25:01 pm
Can you try and post the complete audio of the composition !! What is the original language of the literal composition? What is the taal? Is it a ``Ramrang`` composition??
#6 Posted by Tmk on January 29, 2004 7:14:31 pm
I did not write this. I have no idea why it has been attributed to me. The only article i wrote was the Kashmir one.
-Taimur
-Taimur
#7 Posted by echoboom on January 29, 2004 7:14:31 pm
Tainur Khan:
Could this be:
A verse composition of 12 different Raags. [or better still:about?]
If not , then could you please write these verses with accents , inflections, and melodies of
known compositions?
A good idea, though, to begin a discussion on this subject.
Could this be:
A verse composition of 12 different Raags. [or better still:about?]
If not , then could you please write these verses with accents , inflections, and melodies of
known compositions?
A good idea, though, to begin a discussion on this subject.
#9 Posted by taimurkhan on January 29, 2004 8:58:12 pm
The following are beautiful real audio clips from Rajan Parriakar`s pages on SAWF. The clips are mostly very brief and capture the essence of each raag - far better than a mere poem in english by a mere mortal could.
Miyan Malhar: http://www.sawf.org/audio/malhar/amirkhan_miyanm.ram
Jaunpuri: http://www.sawf.org/audio/asavari/bismillah_jaunpuri.ram
Sarang: http://www.sawf.org/audio/sarang/bhimsen_sarang.ram
Shankara: http://www.sawf.org/audio/shankara/gundechas.ram
Jaijaivanti: http://www.sawf.org/audio/des/bgak_jaijaivanti.ram
Gunkali: http://www.sawf.org/audio/bhairav/jha_gunkali_druta.ram
Ramkali: http://www.sawf.org/audio/bhairav/paluskar_ramkali.ram
Multani: http://www.sawf.org/audio/multani/bismillah_multani.ram
Hamir: http://www.sawf.org/audio/hameer/salamat.ram
Shree: http://www.sawf.org/audio/shree/dvpaluskar.ram
Aiman: http://www.sawf.org/audio/kalyan/kishori.ram
Desi: http://www.sawf.org/audio/desi/dvpaluskar.ram
Miyan Malhar: http://www.sawf.org/audio/malhar/amirkhan_miyanm.ram
Jaunpuri: http://www.sawf.org/audio/asavari/bismillah_jaunpuri.ram
Sarang: http://www.sawf.org/audio/sarang/bhimsen_sarang.ram
Shankara: http://www.sawf.org/audio/shankara/gundechas.ram
Jaijaivanti: http://www.sawf.org/audio/des/bgak_jaijaivanti.ram
Gunkali: http://www.sawf.org/audio/bhairav/jha_gunkali_druta.ram
Ramkali: http://www.sawf.org/audio/bhairav/paluskar_ramkali.ram
Multani: http://www.sawf.org/audio/multani/bismillah_multani.ram
Hamir: http://www.sawf.org/audio/hameer/salamat.ram
Shree: http://www.sawf.org/audio/shree/dvpaluskar.ram
Aiman: http://www.sawf.org/audio/kalyan/kishori.ram
Desi: http://www.sawf.org/audio/desi/dvpaluskar.ram
#10 Posted by taimurkhan on January 29, 2004 8:58:12 pm
Thank you for your comments and questions. Desi is different from Des. What I have tried to do here is to give a personal interpretation of the thoughts and sentiments I associate with certain Raags - just as various people associate different things with springtime, love, grief, and so on. These verses are my own and have not been set to music - they should rather be read simply as a poem in free verse with iambs intermingling with cadenced verse.
Examples:
1. ``Earthy passion in the cradle of perfect joy –`` (cadenced verse)
2. ``With trees ensnared in dusky wisps – `` (iambs - an iambic tetrameter in this case).
Please do listen to these raags - and others, of course - on the net if possible. Here are two very relevant sites:
http://www.sawf.org/bin/tips.dll/getcontributions?user=Sawf&contributor=Rajan+P.+Parrikar&class=EZine&subclass=EZine&pn=Contributors
www.musicindiaonline.com
Best wishes,
Taimur.
#11 Posted by sunlight on January 30, 2004 12:05:29 am
One good way to understand the various ragas is through film songs based on them. http://www.asavari.org/songs.html is a web site with lots of songs (including ghazals) and the ragas they are based on. I am giving some of my favorites below:
Aiman (called Kalyan in the above site):
Chandansa badan chanchal chitavan - Saraswati Chandra
Miyan Ki Malhar:
Bole re papihara - Guddi
Hamir:
Madhuban men radhika nache re - Kohinoor
Jaunpuri:
Jaye to jayen kahan samjhe ga kaun yahan - Taxi Driver
There are some other ragas not mentioned above which have some beautiful film songs:
Shivranjani:
O mere sanam - Sangam
Bhairavi:
Kaa karu sajani, aaye na baalam: Swami
This is a delightful song because one can hear it sung in two completely different ways by two masters. This is a composition of Ustad Bade Ghulam Ali Khan, his own recording is easily available and showcases his inimitable, fast, emotional and romantic style. The same song has been sung by the South Indian Maestro Yesudas in the film Swami in a very restrained and comparitively serious style which still sounds very sad and appealing.
Aiman (called Kalyan in the above site):
Chandansa badan chanchal chitavan - Saraswati Chandra
Miyan Ki Malhar:
Bole re papihara - Guddi
Hamir:
Madhuban men radhika nache re - Kohinoor
Jaunpuri:
Jaye to jayen kahan samjhe ga kaun yahan - Taxi Driver
There are some other ragas not mentioned above which have some beautiful film songs:
Shivranjani:
O mere sanam - Sangam
Bhairavi:
Kaa karu sajani, aaye na baalam: Swami
This is a delightful song because one can hear it sung in two completely different ways by two masters. This is a composition of Ustad Bade Ghulam Ali Khan, his own recording is easily available and showcases his inimitable, fast, emotional and romantic style. The same song has been sung by the South Indian Maestro Yesudas in the film Swami in a very restrained and comparitively serious style which still sounds very sad and appealing.
#13 Posted by Inquirer on January 30, 2004 7:03:01 am
Thanks alot both to sunlight, #11 and taimurkhan, #10.
I look forward to following interactions on this post.
I look forward to following interactions on this post.
#14 Posted by jang on January 30, 2004 8:24:40 am
Bhairavi:
Kaa karu sajani, aaye na baalam: Swami
I think its some kind of mishra bhairavi..neverthless a beautifully shot song.
I saw it as a kid, and was totally sold on the richness of the concept of a small mahifil, with paan eating etc. in a bengali home setting. Even shabana managed to look good ;-)
else hindi movies always show slightly vulgar kotha scenes with drunks fondling a bag of money while listening/watching a nauch girl. (i like that too, but this was very different).
Kaa karu sajani, aaye na baalam: Swami
I think its some kind of mishra bhairavi..neverthless a beautifully shot song.
I saw it as a kid, and was totally sold on the richness of the concept of a small mahifil, with paan eating etc. in a bengali home setting. Even shabana managed to look good ;-)
else hindi movies always show slightly vulgar kotha scenes with drunks fondling a bag of money while listening/watching a nauch girl. (i like that too, but this was very different).
#15 Posted by amit on January 30, 2004 3:06:56 pm
Raag Desi is different from Raag Des. The classical number from the movie Baiju Bawra - ``Aaj gaavat man mero`` is in Desi. It is the competition scene between Tansen and Baiju Bawra and the background singers are Ustad Amir Khan and Pt. D.V. Paluskar.
#16 Posted by rozaiba on January 30, 2004 5:44:31 pm
Good stuff. Really would like to see more examples of each of these ragas in perhaps some of the more known songs (thanks sunligh).
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